New African Masquerades: Artistic Innovations and Collaborations

Kimi masquerade ensemble in honor of André Sanou’s Qui Dit Mieux?, 2022 (headpiece by David Sanou in the studio of André Sanou; the maker of the body requests anonymity). Collection of the Fitchburg Art Museum. Photo courtesy of the New Orleans Museum of Art.

Whistle Figurine of a Seated Dwarf, Mexico, A.D. 600–800, Earthenware, 7 × 4 1/2 × 3 in. (17.8 × 11.4 × 7.6 cm), San Antonio Museum of Art, gift of John and Kathi Oppenheimer, 2023.7.78

Georgia O'Keeffe (American, 1887–1986), It Was Yellow and Pink II, 1959, Oil on canvas; unframed: 91.5 x 76.2 cm (36 x 30 in.), The Cleveland Museum of Art, Bequest of Georgia O'Keeffe 1987.137 © Georgia O'Keeffe Museum / Artists Rights Society (ARS), New York  

Yoshioka Ichimonji Sukehide, Japanese, active ca. 1360, Wakizashi (Short Sword), Jūyo Token, Signed: Sukehide, 7th month, 18th year [of the Shōhei era], July 1363, Handmade and polished steel, 13 3/4 in. (35 cm), San Antonio Museum of Art, acquired in memory of Robert R. Clemons with funds realized from his estate, 2022.11.1

Marisa Morán Jahn, digital rendering of design details for TIPSY, 2025. © Marisa Morán Jahn

Relief with the Head of a Winged Figure, Neo-Assyrian period, reign of Ashurnasirpal II, 883-859 BC, gypsum alabaster with traces of pigment, 26 ½ x 23 x 2 in., Lent by the Art Institute of Chicago, George F. Harding Collection